Matthew Aucoin
GROUNDTONE (Day 3)
Composer, conductor, and pianist Matthew Aucoin is the co-founder of the American Modern Opera Company. Aucoin’s orchestral and chamber music has been performed, commissioned, and recorded by such leading artists and ensembles as Yo-Yo Ma, the Philadelphia Orchestra, Zurich’s Tonhalle Orchestra, the BBC Scottish Symphony, and more.
John Brancy: baritone
Matthew Aucoin: piano
Miranda Cuckson: violin
Keir GoGwilt: violin
Carrie Frey: viola
Coleman Itzkoff: cello
GROUNDTONE is PS21’s new, three-day weekend of immersive concerts and adventurous music.
A sonic exploration of PS21’s untamed natural landscape, the festival invites listeners to experience dazzling performances and site-specific creations by visionary, genre-defying artists in settings across our grounds.
Part of Upstate Art Weekend, each day will include free performances, workshops, open rehearsals, and community music making open to all. Highlights include Lina Lapelytė’s immersive installation Study of Slope and ticketed concerts each evening.
Matthew Aucoin is an American composer, conductor, and writer, and a 2018 MacArthur Fellow. He is a co-founder of the pathbreaking American Modern Opera Company (AMOC*), and was the Los Angeles Opera’s Artist in Residence from 2016 to 2020.
As a composer, Aucoin is committed to expanding the possibilities of opera as a genre. His own operas, which include Eurydice and Crossing, have been produced at the Metropolitan Opera, the Los Angeles Opera, the Brooklyn Academy of Music (BAM), Boston Lyric Opera, the Lyric Opera of Chicago, and the Canadian Opera Company, among others. The Metropolitan Opera’s recording of Eurydice was nominated for a Grammy in 2023.
Aucoin’s most recent work of music-theater, Music for New Bodies, is a collaboration with the legendary director Peter Sellars, based on the poetry of Jorie Graham. The piece has so far been performed in Houston (co-presented by DACAMERA and Rice University’s Shepherd School of Music) and at the Aspen Music Festival, and will travel to New York and Los Angeles in future seasons.
Aucoin’s orchestral and chamber music has been performed, commissioned, and recorded by such leading artists and ensembles as Yo-Yo Ma, the Philadelphia Orchestra, Zurich’s Tonhalle Orchestra, the BBC Scottish Symphony, the Los Angeles Chamber Orchestra, the pianists Conor Hanick and Kirill Gerstein, the Brentano Quartet, and singers including Anthony Roth Costanzo, Julia Bullock, Erin Morley, Davóne Tines, Danielle de Niese, Paul Appleby, and many others.
Last year, the MET Orchestra, conducted by Yannick Nézet-Séguin, featured Aucoin’s orchestral work Heath on its first European tour in several decades. Aucoin has also received commissions from Carnegie Hall, the Ojai Music Festival, the Aspen Music Festival, the La Jolla Chamber Music Society, Chicago’s Symphony Center, the Gilmore Keyboard Festival, and other leading musical organizations.
His recent conducting engagements include appearances with the Los Angeles Opera, the Chicago Symphony, the Santa Fe Opera, the Houston Grand Opera, Boston Lyric Opera, the San Diego Symphony, Salzburg’s Mozarteum Orchestra, the Philharmonia Baroque Orchestra, the Rome Opera Orchestra, and many other ensembles.
Aucoin’s book about opera, The Impossible Art: Adventures in Opera, was published in 2021 by Farrar, Straus, & Giroux. He has taught at Harvard University, and is a regular contributor to leading publications such as The New York Review of Books and The Atlantic.
